‘Noh’ or Accomplishment (1916)
A13
Editions
a. First edition
‘Noh’ | or | ACCOMPLISHMENT | a STUDY OF | THE CLASSICAL STAGE OF JAPAN | BY | ERNEST FENOLLOSA | AND | EZRA POUND | MACMILLAN AND CO., LIMITED | sT. MARTIN’S STREET, LONDON | 1916 viii, 267, [1] pp. front. (port.), music. 22.8 X 1575 cm. Blue cloth boards stamped in black on front cover and in gold on spine (with, at base: MACMILLAN & co or, later?: MACMILLAN | & co); laid (or, later? wove) end-papers; top and fore edges untrimmed. Yellow dust-jacket printed in red. (The frontispiece has an unprinted protective tissue, in most copies.) Published 12 January 1917 at 7s. 6d; 1250 sets of sheets printed (of which an unknown number were used for the American issue). Imprint at foot of page [268]: Printed by R. & R. Clark, Limited, Edinburgh. Contents: part 1: Introduction [by Ezra Pound}—Sotoba Komachi [by Kiyotsugu]—Technical Terms in Noh—Kayoi Komachi [by a Minoru}--Suma Genji [by Manzaburo|—[Excerpts from Fenollosa’s records of his conversations with Umewaka Minoru]—part u: Introduction to Kumasaka—Kumasaka, by Ujinobu—Shojo—Tamura—Foreword to Tsunemasa—Tsunemasa—part 11: Fenollosa on the Noh (? about 1906)—Nishikigi, by Motokiyo—Kunuta—Hagoromo—Kagekiyo, by Motokiyo—part 1v: Awoi No Uye, by Ujinobu—Kakitsubata, by Motokiyo—Chorio, by Nobumitsu—Genjo, by Kongo—Appendices Notes: “The vision and the plan are Fenollosa’s. In the prose | have had but the part of literary executor; in the plays my work has been that of translator who has found all the heavy work done for him and who has had but the pleasure of arranging beauty into the words.” (“Note,” by Ezra Pound, p. v) The four plays “Kumasaka,” “Nishikigi,’ “Hagoromo,” and “Kagekiyo” are here reprinted from Certain Noble Plays of Japan (1916)—A\12. Parts | and II had appeared, in somewhat abridged and altered form, in Drama, Chicago (May 1915) pp. 199-247, as “The Classical Stage of Japan: Ernest Fenollosa’s Work on the Japanese ‘Noh, Edited by Ezra Pound”—Cr88. Part III, with “Nishikigi” summarised and “Kagekiyo” omitted, was printed, also abridged, in Quarterly Review, London (October 1914), pp. 450-77, as “The Classical Drama of Japan [Edited from Fenollosa’s Manuscripts by Ezra Pound}’—C 160. (Earlier periodical publication of individual plays may be determined by reference to the Index.)
b. American issue (1917)
‘Noh’ | or | ACCOMPLISHMENT | a STUDY OF | THE CLASSICAL STAGE OF JAPAN | BY | ERNEST FENOLLOSA | AND | EZRA POUND | MACMILLAN AND CO., LIMITED | sT. MARTIN’S STREET, LONDON | 1916 viii, 267, [1] pp. front. (port.), music. 22.8 X 1575 cm. Blue cloth boards stamped in black on front cover and in gold on spine (with, at base: MACMILLAN & co or, later?: MACMILLAN | & co); laid (or, later? wove) end-papers; top and fore edges untrimmed. Yellow dust-jacket printed in red. (The frontispiece has an unprinted protective tissue, in most copies.) Published 12 January 1917 at 7s. 6d; 1250 sets of sheets printed (of which an unknown number were used for the American issue). Imprint at foot of page [268]: Printed by R. & R. Clark, Limited, Edinburgh. Contents: part 1: Introduction [by Ezra Pound}—Sotoba Komachi [by Kiyotsugu]—Technical Terms in Noh—Kayoi Komachi [by a Minoru}--Suma Genji [by Manzaburo|—[Excerpts from Fenollosa’s records of his conversations with Umewaka Minoru]—part u: Introduction to Kumasaka—Kumasaka, by Ujinobu—Shojo—Tamura—Foreword to Tsunemasa—Tsunemasa—part 11: Fenollosa on the Noh (? about 1906)—Nishikigi, by Motokiyo—Kunuta—Hagoromo—Kagekiyo, by Motokiyo—part 1v: Awoi No Uye, by Ujinobu—Kakitsubata, by Motokiyo—Chorio, by Nobumitsu—Genjo, by Kongo—Appendices Notes: “The vision and the plan are Fenollosa’s. In the prose | have had but the part of literary executor; in the plays my work has been that of translator who has found all the heavy work done for him and who has had but the pleasure of arranging beauty into the words.” (“Note,” by Ezra Pound, p. v) The four plays “Kumasaka,” “Nishikigi,’ “Hagoromo,” and “Kagekiyo” are here reprinted from Certain Noble Plays of Japan (1916)—A\12. Parts | and II had appeared, in somewhat abridged and altered form, in Drama, Chicago (May 1915) pp. 199-247, as “The Classical Stage of Japan: Ernest Fenollosa’s Work on the Japanese ‘Noh, Edited by Ezra Pound”—Cr88. Part III, with “Nishikigi” summarised and “Kagekiyo” omitted, was printed, also abridged, in Quarterly Review, London (October 1914), pp. 450-77, as “The Classical Drama of Japan [Edited from Fenollosa’s Manuscripts by Ezra Pound}’—C 160. (Earlier periodical publication of individual plays may be determined by reference to the Index.)
Artefacts
No artefacts available for this item.
Content is now editable.